Art and Solitude

Solitude

by Marc Chagall

A rabbi cloaked in a veil of light

as darkness has enveloped the surroundings.

An angel in the horizon taking flight,

a worrisome face as the journey arises.

Praying, praying. Giving all to all.

The torah, a violin, a goat, a man.

Praying,

resting,

solitude.                              -by jake lester

Marc Chagall was born on july 7th 1887. He was born in Russia, and was the eldest of 9 children [http://www.biography.com/people/marc-chagall-9243488]. He studied art from a very young age and when he was 23 (in 1910) he moved to france. When in France, He started painting the pieces that made him famous, such as Self-Portrait with Seven Fingers (1912), I and the Village (1911),Hommage Apollinaire (1911–12), Calvary (1912), The Fiddler(1912), and Paris Through the Window (1913) [http://www.biography.com/people/marc-chagall-9243488]. He often incorporated his religion and home village in his art pieces. In 1914, he had his first personal art gallery (a gallery entirely dedicated to his art) In 1915 he married Bella Rosenfeld, the daughter of a wealthy Vitebsk merchant. She was also in many of his pieces. In 1916 they had a daughter and named he Ida. When world war 2 broke out, Marc and his family went to seek refugee in New York (for MOMA invited them). Bella (Marc's wife) died 4 years after arriving dying in a hospital. He continued making art pieces of his home and his first wife, painting sets, and other related things till the day he died, which was on March 28, 1985.

I chose this piece because it just looked so sad, yet it also reminded me of hope. I was interested on why it may have done that to me, so i looked at it closer. I noticed that in the piece there is a rabbi sitting on the ground in maybe the nighttime. The rabbi looks as if he has an expression of concern on his face, similar in my opinion to the angels. Maybe the rabbi is praying for the angel, who has a tough journey ahead. If you look closely enough at the man's face (and you must include the mouth in the picture), you can see that he is hoping, and possibly praying.

 Also, there is not only black in the background. Nice shades of blue are starting to sprout, most likely giving to a new day. A new day, a sunrise very much symbolizes hope. When looking at the center of the painting, and looking at the buildings covered in darkness, you notice how sad it looks. However, directly to its right are some buildings covered in brightness, making it look a lot more joyous and less sorrowful. I believe that this means that there is hope for a "brighter tomorrow" by definition of how the sun is rising.

Concluding this, Marc Chagall incorporates almost all that is dear to him. He puts his village in the background, puts the torah in it (the red scroll that the rabbi is holding) (Definition: A scroll containing the law of God as revealed to Moses and recorded in the first five books of the Hebrew scriptures) [http://dictionary.reference.com/browse/Torah], which is a major part of his faith, Judaism. He also places a goat in it, which has a very deep significance to Marc because almost all of his works have a goat in it. These three things might be his definition of hope, or of what reminds him of it.